In Poli I, Okón arranges a confrontation with a policeman causing an absurd fight that starts with an argument of whether he is allowed to point the camera at the policeman and escalates into an array of violent, yet playful, insults that highlight many of the social conflicts common in the city.			For Poli III, Okón joins a policeman in his private booth and engages in a bizarre conversation.
	For Poli II, Okón, with the help of a walkie-talkie, intercepts a highly sexualized radio conversation between two policemen as they sat in their parked patrol cars and discussed their plan to invite some girls to have sex with them.			In Poli VI, Okón hires a policeman to pose as if he is being mugged by three civilians. Neighbors call the police and Okón is arrested by patrolmen whom he bribes to be released.
	In the case of Poli V, Okón pays a policeman to do a "square-dance".			Poli IV features a policeman who was simply asked to give a demonstration of his baton for the camera. He puts on an impressive performance intertwining his weapon handling abilities with short, but intense, interludes of crotch rubbing.